Still looking, but I found this in a technical article on colour science. I wasn't even sure what the acronym stood for, but it seems to be 'Optical to Optical Transfer Function'. There does seem to be a lack of information about these options. Insight into this confusion is much appreciated! Is Resolve making an incorrect assumption, or am I not understanding when the conversion from display to scene is happening in my workflow?
So I don't see where I would be converting from display to scene or scene to display, and yet Resolve enables the OOTF checkmark when I select those transform settings. Then, my final node is a CST that converts from Arri color space to Rec.709 for target display. If I am doing my own color management in a Davinci YRGB project with a Log C timeline color space (ie, display referred I thought?), I am usually adding a CST to convert my log footage into an Arri color space (alexa/log c) for compatibility with power grades that expect that. Okay that makes some sense.but here is where I'm personally getting confused. So far the best I can find is that when going from scene referred to display referred - use Forward OOTF.Ĭonversely, when going from display referred to scene referred - use Inverse OOTF.
No one seems to have a good, simple answer about how to approach this. Not to hijack this thread, but I too am greatly confused.Ĭhecked the manual.
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